Live Sound Engineering

Online Live Sound Engineering

Courses of SoundideaZ Academy!

Online Courses

Modern world of sound and music is multifaceted. And one needs to understand this from someone Currently working in the industry.

We at SIAonline are a part of the mainstream industry and thereby have designed a course that is tailored to suit the real world scenario. On the other side, those who are new to the world of modern recording, musical instrument digital interface, digital audio, and their production environments should be aware that a person new to the recording or studio environment might easily be awestruck by the amount and variety of equipment that’s involved in the process; however, when we become familiar with the science, the tools, and techniques of recording technology, a definite order to the studio’s makeup soon begins to become clear, with each piece of equipment being designed to play a role in the overall scheme of music and audio production.

We have walked the extra mile to ensure that the students learning online will get the complete knowledge for the said subjects via the face-to-face learning, our E books, Demo Videos and extensively developed assignments.

The goal of this course is to serve as a guide and reference to help you become familiar with the Live Sound Reinforcement process. When used in conjunction with mentors, lots of hands-on assignments, further reading, and simple common sense, this course will, I hope, help you.

Batch Start
Every Month

Duration :
6 Months

Frequency:
3 days/week (2 hours/Class)

Total Classes:
62

Fees:
1 Lakh

Mode of learning:
Live Online Classes.

Syllabus

Lesson 1: Sound Basic’s
Lesson 2: Digital Theory.
Lesson 3: Microphones.
Lesson 4: Tonal processors.
Lesson 5: Dynamic Processors.
Lesson 6: Live Consoles.
Lesson 7: Audio Effects.
Lesson 8: Loudspeakers
Lesson 9: Venue Acoustics.
Lesson 10: Stage Monitor Speakers.
Lesson 11: Cables & Connectors.
Lesson 12: Tech rider.
Lesson 13: Power supply
Lesson 14: Acoustical prediction Software.
Lesson 15: Monitor Mixing.
Lesson 16: FOH MIX
Lesson 17: Avid S6L
Lesson 18: DIgico SD10

Lesson 1: Sound Basic’s

The Foundation for the Whole course is laid in These Lectures. Once the Foundation is Built right, Understanding of the further topics becomes very easy.

Fundamentals of Sound
Waveform
Propagation Of sound
Pitch
Timber
Frequency
Amplitude
Human Hearing
Auditory Perception
Loudness Curve
Decibels

Lesson 2: Digital Theory.

The Fundamentals of Digital Audio Are Cleared in This Module. The topics Include,

ADDA conversion.
Sampling Rate.
Bit Depth.
Nyquest theorem.
Jitter.
Dither.
Benefits Of Digital Technology.

Lesson 3: Microphones.

Types of Microphones.
It’s Application with different Instruments.
Polar Patterns.
We Will Remotely see the Mic Positioning for Different Instruments, Including Tabla, Drums, Percussions, Strings Section, and Horns Section.
Wireless Microphone systems
Matching radio Frequencies.
Antenna.

Assignments to students where they record and send specific tasks given to them using the mic techniques taught to them.

Lesson 4: Tonal processors.

Manipulation of different Frequencies to Alter The Tone Of a Sound Signal is called Tonal processing.

Equalization.
Harmonic Processing,
Subtractive Equalization.
Types of EQ,
Multi Band Processing,
Different Types Of Filters.

We practically see and hear the different Nomenclatures used to define a tone in day-to-day usage.

The assignments for the students will be given where they correct specific pre recorded Voices and Instruments, so as to practice the skills they learnt.

Lesson 5: Dynamic Processors.

Dynamic Range.
Compressors/Limiters.
Expander/Gates.

In depth knowledge, of these complex processors. Difference Between Hardware And Plugin Processors.

Assignments for Usage Of these Processors Practically.

Lesson 6: Live Consoles.

Channel strip.
Auxillary Modules.
Routing Matrix.
Busses.
Faders.
Groups & VCA
Effect Returns.
Solo & Mute.
Avid S6L & DIgico SD10.
Console Configuration.
Stage Boxes.
Live Workflow.

Lesson 7: Audio Effects.

Spatial Processing.
Reverbs.
Delays.
Chorus.
Flanger.
Creative Use of Effects.
Types of reverbs and delays.

Assignments for Identifying and applying effects for different instruments.

Lesson 8: Loudspeakers

Loud Speaker Basics.
Amplifier Basics.
System Processor / Crossover
Box Configurations.
Sub Woofers.
Delays for distance.
Phase co relation
Time alignment
Sub woofer configurations.
D&B Systems.
Network protocol Connectivity.
L Acoustic System.
Setup as Per Venue.

Lesson 9: Venue Acoustics.

Definition.
Behavior of sound.
Absorption.
Reflection.
Refraction.
System Positioning.
System calibration.

Lesson 10: Stage Monitor Speakers.

Monitor Wedges
Two way and full range Monitors.
Active vs. Passive Speakers.
Placements of Monitors.
Understanding Feedback.
In Ear Monitors.
Side Fills.
Calibration.
Listening.

Lesson 11: Cables & Connectors.

Type of connectors.
Type of cables.
Digital Connections.
Network Connections.

Lesson 12: Tech rider.

Reading A rider
Stage Plot
Input List
Output Patch.
Stage Boxes
Labeling
Power Distribution.
Backline.

Lesson 13: Power supply

Voltage.
Current.
Load Calculation.
Earthing.
Wire thickness.
Generators.
Local Power.

Lesson 14: Acoustical prediction Software.

Ease Focus
Measurements
Smart Live
Calibrated Microphone.

Lesson 15: Monitor Mixing.

Cue Mix.
In ear Patching & Labeling
Visual Contact.
Line Check.
Understanding the Musician.
Nomenclatures.
Importance of good Balance.
Ear Buds.
Wedges Vs. In Ears.
Comfort Of the Artist.
Body Language.
Assertiveness.

Lesson 16: FOH MIX

Main PA
Sub Woofers
Tuning The System.
Gain Structures
Talk Back
Sound Check
Balance
Use of Effects
Knowing the Music
Loudness Measurements
Keeping It Pleasing.
Communication with Audience
Maintaining the Calm.
Monitors form FOH
Enjoying Your JOB.

Lesson 17: Avid S6L

System configurations.
Control SURFACE
Stage Box
Show file
Offline Software
Patching Inputs
Patching Outputs
Effect rack patching
Layouts
Balancing On S6L

Lesson 18: DIgico SD10

Console Configuration.
Control Surface
Stage Box
Show file
Offline Software
Patching Inputs
Patching Outputs
Effect rack Patching
Fader Assignments
Balancing a show.

Requirements

This course equips the student with the fundamentals of Live Sound engineering. The course is designed keeping the practical application in mind. We look forward to create a Live Sound engineer who is equipped not only with how to Setup A live Sound Rig but will have skills to Mix a show either FOH Or Monitors, work with musicians, make himself fit in to the Entertainment Industry and win the heart of the Performers.

Who should do this course?

Budding musicians who intend to Tour and Perform As a lIve sound Engineer.
Those, who look forward to become a Live Sound engineer.
Those, who are fascinated by touring Bands & Musicians.
Those, who are fascinated by Live Bands, attracted to Mixing sound For events.
Performing musicians

Outcome

Understand Fundamentals of Sound.
Navigate digital live audio console, control, and understand the System architectures.
Understand the components needed for good Sound System.
Have a decent Knowledge about room Acoustics & how to work with low budgets.
Choose the right microphone for the right Instrument.
Listen and do professional analysis of a Recording.
Diagnose the problem areas of a Sound System.
Read and create a tech rider for a concert.
Understand the way to manage the stage.
Understand System Engineering & Line array Systems.
Understand Gain structures.
Stage Setup.
Monitor Mix Setup.
Wireless Microphones & In Ear Monitors.
FOH Mixing.

Prerequisites

This course is designed for fresher’s or currently working Musicians/ Live Engineers. A 10+2 Education In Any Faculty would be enough to learn this course. The Most Important Prerequisite Being the Passion for Sound

Required Textbooks

SIAonline will provide you with a PDF E book as a reference Book for this Course.

Software Requirements

The Course will Cover Digital Consoles Live Avid S6L & DIgico SD10. Offline Software’s for these consoles will be needed for the course.

Apple Computer Or Compatible Windows Computer.

Minimum config: Intel I 5 / 7 2.8 Gig Processor, with 16 GB Ram &1 TB Internal Drive.

A pair of studio Monitors Or Studio grade Headphones.

Apogee Duet Or Compatible Professional Sound card with 2 Ins & 2 Outs.

instructer

Pramod Chandorkar

Dr. Pramod Chandorkar, is the Founder and director of SIA Online & Soundideaz Academy. He has been working as a Sound Engineer since 1995. Has worked on numerous Mega hit albums and films as Chief Sound Engineer Best Mix & Recording Engineer Zee Cine Award 2005 - Hum Tum Best FOH Mixing For the "Sonu Nigam Live in Concert "2012. (Palm Sound & Light Awards). Sound designer for the internationally acclaimed film "Jal".

Mujeeb Dadarkar

Mujeeb Dadarkar, Sound Engineer and Co-founder Odble Consultants, is a well know name in the music industry. He has been a recording engineer and technical consultant to the Audio/ Video industry since 1983. His experience as a sound engineer has spanned numerous documentaries, advertising and feature film projects. He has also worked extensively as live sound engineer for world-class artistes like Ustad Zakir Hussein.

Vijay Benegal

Vijay Benegal’s career as an independent Sound Engineer has spanned close to three decades with experience on diverse sound recording and mixing projects for radio, films, television, and music albums. He is also a Live Sound Engineer having worked with local and international artists such as Kailash Kher, Indus Creed, Slash, Niladri Kumar, Steve Smith, Louiz Banks, Dave Holland, Chris Potter and other luminaries. Vijay is currently touring with Shankar-Ehsaan-Loy as well as Ustad Zakir Hussain’s Cross Currents.

Vijay Dayal

Vijay Dayal, Chief Sound Recordist at Yash Raj Studios, began his career as a musician but his inclination towards understanding the technicalities of sound fascinated him and his interest in learning the technical aspect grew. He started executing sound mixing of shows and is currently doing live and studio engineering. Some of the movies he has worked on mixing engineer includes Gundey, Ek Tha Tiger, Tiger Zinda Hai, Sairat, Agnipath and Ra One. As an FOH engineer, he has worked with Asha Bhosle, Ajay-Atul and Pritam Chakraborty.